Wednesday, October 10, 2012

Playlist for September 2012


These are all the albums, EPs, demos, singles, etc that I listened to in the month of September 2012. I’ll be the first to admit, this one is pretty mediocre. At the end are my notes and a list of all the live music I saw during the month.

9/3/12
Everclear – “So Much For The Afterglow”

9/4/12
Dashboard Confessional – “The Places You Have Come To Fear The Most”
Boy Hits Car – S/T
Tiger Army – S/T

9/5/12
Devo – “New Traditionalists”
OFF! – S/T
Death Hymn Number 9 – “Smokestack Frightening” EP
White Buffalo – “Prepare For Black & Blue” EP
V/A – Jones Soda Valentine’s Day 2006 sampler CD
Two Door Cinema Club – “Beacon”
Albert Mangelsdorff –“Shake, Shuttle, and Blow”
Coldplay – “Viva la Vida or Death and All His Friends”
Electric Guest – “Mondo
The Vibrators – “Pure Mania”
Seedless – “Twisted Roots”

9/6/12
V/A – “Pssst!” Filter Magazine Spring 2005 sampler CD
Eels – “Beautiful Freak”
TobyMac –“Eye On It”
Motion City Soundtrack – “Go”
Sodom – “In The Sign Of Evil” EP
The Shins – “Port of Morrow”
Moebius – “Tonspuren”
Mishka – “Above the Bones”
MDC – “Millions of Dead Cops”
V/A – “Cinema Beer Buddy”
Bush – “Sixteen Stone”
Tamia – “Beautiful Surprise”
No Doubt – “Tragic Kingdom”

9/7/12
Sonny Rollins – “Saxophone Colossus”
Filter – “Title of Record”
Massgrav – “Napalm Over Stureplan”
Lawrence Arms – “Oh! Calcutta!”
Plan B – “ill Manors” OST
Vanna – “The Search Party Never Came” EP
Weatherbox – “Follow the Rattle of the Afghan Guitar” EP
Santigold – S/T

9/8/12
Kid Rock – “Devil Without A Cause”
The Orb – “U.F. Off: The Best Of”
Korn – “Follow The Leader”
Minus The Bear – “Infinity Overhead”
Sugar Ray – “Floored”
Ground Up – 2008 demo
Avicii – “The Singles”

9/10/12
The Smiths – “Strangeways, Here We Come”
V/A – “KnuckleTracks 90”
Sunny Day Real Estate – “Diary”

9/11/12
The Gravitys – “Bring You Down”

9/18/12
Dean Blunt & Inga Copeland – “Black is Beautiful”
I Never Knew You – “End of Seasons” EP
V/A – “Spawn” OST
Animal Lover – S/T EP
Alanis Morissette – “Jagged Little Pill”
Motherboy – “Not Punk Session” tape

9/19/12
Manufactured Superstars – “Freak On You”
Semisonic – “Feeling Strangely Fine”
Limerent Dance Machine – “Dream A Reason Why”
Foo Fighters – “The Colour and the Shape”
Circa Survive – “Violent Waves”
Crass – “Stations of the Crass”

9/20/12
William Kapell – “performing Beethoven’s Piano Concerto No. 3”
Subhumans – “The Day The Country Died”
Midtown – “Save The Day, Lose The Girl”
Rudimentary Peni – “The EPs of RP”
2 Chainz – “Based on a T.R.U. Story”
Guns N Roses – “Appetite for Destruction”

9/21/12
The Last Years – “Get Rad!!!” EP
War From A Harlots Mouth – “Transmetropolitan”
Axwell – “Heart is King” single
PsyOpus – “Odd Senses”
Santana – “Abraxas”
Bad Brains – S/T

9/22/12
The Ramones – “Leave Home”

9/25/12
Swans – “The Seer”
Between The Buried And Me – “Colors”
Mazzy Star – “So Tonight That I Might See”

9/26/12
Sledding With Tigers – “Being Nice is Still Cool” EP
Butthole Surfers – “Electriclarryland”
Strawberry Alarm Clock – “Incense & Peppermints”
Andy Williams – “The Very Best Of”
V/A – “The Matrix: Music From The Original Picture”
Haruka – 2012 mini-disc demo

9/27/12
Yuppicide – “Shinebox”
Slaughterhouse – “Welcome To: Our House”
Agression – “Don’t Be Mistaken”

9/28/12
The Fugs – “First Album”
David Gray – “White Ladder”

9/29/12
Cannibal Corpse – “Butchered at Birth”
Metric – “Old World Underground, Where Are You Now?”
Kindness – “World, You Need a Change Of Heart”
Stone Temple Pilots – “Purple”

9/30/12
NASA Space Universe – “Beyond Ice” EP
Fuel – “Natural Selection”


-          I decided to actively listen to stuff that I was into back in my pre-middle school/punk days and see how they fared. Most of it didn’t do so well (see: Dashboard, Boy Hits Car, Filter, David Gray) That said, I won’t apologize for Everclear or Alanis. You can go your own way.
-          OFF! Is cool and everything, but the similarity to Black Flag is just too obvious and forced…I don’t know
-          My rubric for what music I will listen to in a given month really turned up some garbage this month that I can’t say that I’m proud for having listened to (see: TobyMac, Tamia, 2 Chainz)
-          For as badass as other Sodom albums are, “In the Sign of Evil” is one of the goddamn shittiest metal albums I’ve ever listened to…Just plain bad
-          The Shins have a new album. Who cares.
-          Mishka has got to be the most boring ‘reggae’-‘rock’ act I have ever heard…it takes being laid back to a totally unnecessary level
-          “The Search Party Never Came” is a classic of its genre, few of those as there are
-          I don’t see what’s so great about Santigold
-          Manufactured Superstars are okay when its just beats, fucking TERRIBLE with vocals
-          More than a decade after its release, “Bawitdaba” is still the most gloriously ignorant song ever released unto the public
-          You saw that right, in one day I listened to full albums by Kid Rock, Korn, and Sugar Ray. COME AT ME BRO.
-          The soundtrack CDs for the late-90’s motion picture adaptation of the comic book “Spawn,” and to a lesser extent, “the Matrix” predicted the current wave of dubstep-infused quasi-metal and told us “NO!”….WE DIDN’T LISTEN.
-          “Appetite for Destruction” is one of those few ubiquitous mega-smash hits that is totally deserves that distinction…classic
-          “Leave Home” is vastly underrated even amongst Ramones fans…It’s the best summation of what they were about
-          The new Swans album is long as hell, dark and gloomy, and somewhat taxing to listen to because of moments of trudging repetition…but in the end its worth it in the way a good piece of art should be…a very deep album for sure
-          I <3 “Colors”
-          Folk-punk just isn’t really my thing
-          The lineup of Sledding With Tigers, Butthole Surfers, and Strawberry Alarm Clock on 9/26 makes it look like I listen exclusively to bands with ridiculous names
-          R.I.P. Andy Williams
-          Yuppicide isn’t as good as I remember them being
-          “Don’t Be Mistaken” = greatest skate punk album ever. Nuff said.
-          I hate to admit it but “Purple” is a pretty solid album for what it is


I also saw Warpaint, James Blake, Quicksand, M83, Refused, The Allah-La’s, Maria Bamford, Papa, Nick Waterhouse, Joyce Manor, Garfunkel & Oates, Benden Walsh, Brent Weinbach, David Cross, King Khan & The Shrines, Aesop Rock, Against Me!, Lightning Bolt, Dinosaur Jr.,  Desaparecidos, HEALTH, Yeasayer, American Nightmare, Bloom (R.I.P.), Mouthful Of Snow (twice), Being As An Ocean, Weatherbox, My Iron Lung (twice), Beanvian Stalks Guava (twice), north Americans, No Paws, Rapid Youth, Naomi Punk, Limerent Dance Machine (twice), Light Light, Providence, Scarlett Avenue, Welcome To Now, A Push For Clarity, Crisis Arm, Till I Fall, Locked In Silence, Dead End Alaska, Aukerman, Sledding With Tigers, Logan Greene Electric, Hello Penelope, Slimmy Heart Project, Taurus Scott, B. Lewis, Motherboy, Animal Lover, and The Coltranes perform live.

Friday, October 5, 2012

INTERVIEW: Trey The Ruler, October 1 2012

I had a chance to have a few words wih spoken word artist Trey The Ruler earlier this week when his tour with Troubled Coast and My Iron Lung got started here in Murrieta at the Dial. It was the first interview I've conducted in over 5 years so the delivery of my questions leaves ample room for improvement, but his responses were fluid and relatable. Here's the transcript of our conversation. Enjoy!





Ian: This is Ian, interviewing Trey the Ruler here at The Dial. First of all, Im just gonna do a quick introduction thing… Where are you based out of? How long have you been performing?

Trey: I’ve been doing spoken word since mid-July of last year, and my first tour was with Heart To Heart, and the Sheds, and a band called Currents in the first week of this year, in January. This is my fifth tour now

I: About the touring, I’ve seen you a couple times here with like, emo/indie/hardcore bands…How did you get aligned with that , doing the spoken word stuff?

T: I started going to hardcore shows and being a part of the music scene when I was 12, right around 2006. I kind just like, grew up through hardcore and I’ve always had that hardcore state of mind, like a basis in the same roots that hardcore has. So I already had friends in a lot of areas in the Northwest, in Tacoma with the Red Room, and Jeremy from a band called Cowardice. So as soon as I started doing something, not-musically, but I was doing this spoken word that I felt a lot of hardcore kids could kind of, find relevant to them as well as it was to me because a lot of people had similar upbringings through the music scene. So as soon as I started doing spoken word, people wanted me to play shows at their venues because I already knew them as friends, and now that they saw me as, like, an artist they wanted to support that because we already had the friendship basis. And then, my friend Darren booked shows at The Laughing Horse Books in Portland, OR and that’s pretty much how I got connected with my first big tour, which was with The Sheds. I did 2 tours with them, one of them being a full-US. And then I played with My Iron Lung, again at The Laughing Horse. We played a show together with a band called Greyscale, and then we decided to go on tour together. We played a show together in Portland, and then I played a show with them and The Sheds down here in San Diego, so we both played each others’ homes and we started touring together. That’s kind of how those things have escalated. How I get a tour is basically through friendship and stuff

I: Sounds like a pretty natural process

T: It was, it was awesome, it kind of just evolved

I: Along those lines, have you ever come across a venue or anything like that wasn’t ready for what you were gonna be doing?

T: All the time….Theres always a little bit of confusion on like, what Trey The Ruler is, like a lot of people think that I’m like, a band. If they looked it up they’d be able to see that I’m a spoken word artist and for a lot of people that clicks. For that Sheds full-US tour, we played at a lot of bars, and that was a fucking nightmare. Like, I HATED playing bars because there’s always clanking real loud and the people who were just there for the booze, they’re just not gonna give a shit. Having a medium of art that has no noise behind it is really hard because when people are noisy, they’re noisy, and it’s ruining the whole thing. I had a really, really bad experience with a lot of bars, especially in the Midwest area. But we played at a bar in Portland, ME and we were right in the heart of a spoken word community and I had no idea. So as soon as I started doing it, they all came down, and even the bartender wasn’t clinking glasses during the set. It was really cool to get that respect somewhere. Like Portland ME, I’m from Portland OR, on the other side of the country; it was a bar show and I was already discouraged, like, “It’s just gonna be another shitty bar show” and it ended up being really cool

I: You were talking about there’s a spoken word scene over there in Maine – how did you get involved with spoken word? Like, how did you make the decision that this is how you wanted to express yourself?

T: Well back in the day, when I was in high school, I was writing my first book, which was titled “Waves and Some Other Stuff.” That was just a poetry collective book, I put that together and I sold like 105 copies when I was in high school. And then for my senior project I kinda just tied that through, and went and talked about that to a panel of judges. Back then, I was a little bit too afraid to do my poetry out loud, it was like a fear that I had, and I was literally unable to reiterate my poetry the way it was written because I just wasn’t ready for that yet. After I gave my speech, I did a really good job, and one of the ladies asked me about why I don’t do spoken word. And I said, “because I have a fear of not being able to do that”. She told me, the speech that she just saw is definitely quality enough of a person who is able to do spoken word. She was like “I think you’re an idiot if you don’t think you can’t do spoken word.” Having a teacher that I don’t even know call me out about that, that was the #1 reason to face my fear. Then as soon as I started, I put out my first record and I just started touring

I: Outside of the music scene, what are some other avenues that you might suggest or not suggest to other people who might be thinking about doing poetry or spoken word, but might not know how to tour and stuff like that?

T: Well for me, when I get approached by spoken word artists or poets or anybody who writes they’re usually looking to me for some kind of input on how they get it out, and for me I chose to tour in a circuit that I already knew well. I feel like if somebody is kinda foreign to the hardcore scene and touring and what that’s all about, they wouldn’t be able to cling onto it like I did. A lot of spoken word artists make a real good living and will have more support in the spoken word scene alone. I mean, you can go anywhere and they have poetry slams at the coffee shop or whatever. I know you guys do that, they do that in San Diego downtown on Thursdays, we do it in Portland at the Backspace. For me, I wanted something where I was able to do multiple poems, because my stuff has always been kind of like storytelling with a few different poems. A lot of slam poetry, its more condensed, one-poem and then that’s kind of it. I guess I never saw myself thriving in that environment. So my advice would be, to another spoken word artist or someone trying to do this, where are you most comfortable? If you feel like you’re being limited in whatever circuit you’re at right now, try to find a circuit that won’t limit you. Because if you’re limited as a poet, it’s not even there. The potency won’t be there at all.

I: Alright, I see that you have a new book and tape out; Did you self-release that, or what is that through?

T: I have a real good friend out of Denver and he runs a shop called Immunity Clothing, his name is Chris. He’s a real good friend of mine and I met him through The Sheds on that tour, and he really wanted to do a release with me. Even though I was kind of low-key and not a whole lot of people knew what I was about or where I was coming from, he didn’t care. He believed in what I was doing so he wanted to put out the tape. I told him, I’m getting ready to put out a new record if you wanna do a tape deal type of thing. So we did a few different colors of tape and then I printed the books. We made a really cool collaborative effort on that one. I feel like that record – I don’t do a lot of the stuff from that record live anymore, because it doesn’t necessarily represent where I’m at right now. I’m kind of in a more darker state than I was back then. I’ve just been evolving into that, so I have to do a set that’s potent to me. But the tape is still something that I really wanna push because there’s still things in there that mean a lot.

I: It got encapsulated

T: Yeah, exactly. So, that whole tape is available as free download. We just wanted to do a physical copy and I had never done a tape before and I was really happy to do it with him. He’s a great dude.

I: Alright well I’m gonna wrap some stuff up. Do you have any upcoming events or releases you would like to mention?

T: Right now I’m kind of working on the release of a series of poems, one of which has a video out, called “Halloween.” I did a film shoot in Lubbock, TX and I’m actually on my way to Lubbock, TX right now, again, and we’re gonna do another one off this release. What to be expected from Trey The Ruler from now onward would be more videos. I’m gonna do a lot more videos. Then I’m gonna try to release extras and audio tracks on a very unique way of releasing. I like the way that tapes are kind of unique and there are more ways to release, so upcoming, I’d say an EP which shouldn’t be released yet. I just don’t have it all worked out yet.

I: Okay, last question: What’s your favorite breakfast food?

T: Breakfast food…probably just straight up hash browns, eggs, toast, and turkey bacon. That’s the set-up right there for me.

I: Sounds delicious.

T: Yeah its great

I: Alright well, Trey, thanks a lot for talking with me! Have a great set tonight!


Trey The Ruler is currently on tour with My Iron Lung and Troubled Coast; 
His self-titled album can be streamed and downloaded for free from his BandCamp page:
http://treytheruler.bandcamp.com/album/self-titled
and he can be contacted through his Facebook page:
http://www.facebook.com/treytheruler