Tuesday, January 29, 2013

SHOW REVIEW: Welcome To Now/Ocean Man/Day Dreamer @ The Dial, January 27 2013

I had spent most of the day lounging around my house being completely unproductive. Lazy Sunday. The NFL Pro Bowl was on but I didn't even watch. Partway through the day I called Zack Heath to come pick my bum ass up and take me to the Taco Shop. I got the #1 combo, a shredded beef taco with a cheese enchilada with rice and beans; it wasn't until after I had paid and sat back down to wait, however, that I realized they had a special going on for a taco, enchilada, tosada, and medium drink...FOR 50 CENTS LESS THAN WHAT I HAD PAID!! How does that make any economical sense at all??? It was too late, hoewever, and I had no other choice but to eat my regret. Shit was delicious.
We got to the Heath house and I started munching down under the impression that me Spencer and Evan were gonna jam but when Evan got there he just wasn't down. The Coltranes had opened up for Agent Orange at The Vault the night prior where Zack got jumped and the entire night was exhausting. I was a bit disappointed that we werent gonna jam but I was sore and tired myself so I understood. We all just chillaxed watching "Shadow Of The Vampire" and listening to Carol King before Spencer left to the movies and I left for the show with Evan.
We arrived at the warehouse around 8:30 and nothing had started yet. I guess all the touring bands had dropped off so semi-local band Zissou did as well. This left only 2 bands from the original lineup and a last-minute acoustic opener. Considering that this show was already pretty last-minute and had now pretty much disintegrated, Dial main-man Navis decided to just make it a free show. He had just gotten a snazzy new haircut and was justifiably feeling dope.
The first performer was a local homeboy who performs acoustic as Day Dreamer. Off the top of my head I think his name was Jared. I've seen him perform at open mic a few times before and was underwhelmed but this time was a bit better. For one thing his voice was stronger this time around; I seem to remember it being pretty shaky at open mic. He plays non-earth-shattering high school folk that I imagine is aiming to be kind of Dylan-esque, what with the harmonica and simplistic chord structures. At times he sounded like Conor Oberst but a bit more streamlined, or maybe the guy from The Raconteurs who's not Jack White. He messed up almost every song that he played but maintained a positive attitude and always kept going.
At first everything was cool, a bit cheesy like all high school folk (and really most folk in general) but not overly smushy-romantic or ideologically-political, but towards the end of the set things took a turn for the worse. First of all things felt like they were going long and even when he asked how much time he had left and somebody kinda said something along the lines of "not much longer" (or in lamens terms, "WRAP IT UP") he continued to play 2 more songs. One of them was about wanting to go to New York or something and it had really bad, obvious lyrics. The final song was the low point however, a cover of that gratingly shitty Lumineers song "Ho Hey" with that annoying "I belong with you, you belong with me" chorus that's seemingly picked straight from a prime-time Apple commercial. I actually had to look up the song for this review because although I was familiar with the tune I hate it so much I never knew who did it. It's not that his version was particularly bad or anything; I just really hate that song.
Navis wisely had the next band set up before Day Dreamer's set so when he was done they were able to get right up and play. Lake Elsinore's Ocean Man played next, a 4-piece pop punk band who reminded me of Face To Face or maybe No Use For A Name. Fat Wreck/Springman type pop punk that's not all cutesy like alot of modern stuff in that genre. All 3 guitarists had songs where they sang lead vocals, and occasionally they'd all have interspersed parts that came together kind of like Taking Back Sunday-style chantalongs. Their dopest song was called "See-Through" and although I can't remember what exactly distinguished it from the others but I do remember that song title. The rhythm guitar was greatly overpowering the lead guitar so I imagine maybe there were slight elements I didn't fully catch but I'd greatly be surprised if they turned out be revelatory passages that significantly improved what I did hear. These dudes were cool, definitely an adequate representation of the style they play, but nothing spectacular to write home about. Definitely not reinventing the wheel here. The rhythm guitar was covered in In-N-Out stickers; I should have gotten a picture of that.

Last band of the night was Welcome To Now, a pop-punk-core band very similar to trendy modern groups like Set Your Goals or Four Year Strong. One of the dudes was wearing an A Day To Remember T-shirt; that right there should be indicative. I have mixed feelings about these guys. On the one hand, they play a style that's being beaten to death at the Warped Tour and on Fuse TV right now and they're not doing anything to improve on it or add something new. The two guitarists weren't really in tune with each other as spot-on as they probably should have been, but they sure did jump to the 2-step parts in unison pretty good. The vocalist also didn't really sing in any key that made sense and despite their audible shortcomings they all had an air of self-assuredness that bordered on arrogance.
On the other hand, these kids are young and what I perceive as unwarranted self-confidence is probably just the natural result of being barely out of high school and not yet being so jaded on "the scene" and on life in general that you can't get stoked on jamming with and for your friends. These dudes have a natural, unadulterated enthusiasm for their jams that at once explains and somewhat outweighs their aforementioned technical deficiencies. Although from my point of view their style is a bit overdone right now, I guess each generation has their own trends that just make sense for them and feel intrinsic despite widespread duplication. Ocean Man more closely represented the type of pop punk that I myself had grown up; this is just the next phase of the same party.

Partway through their set the singer acknowledged the Dial's dopeness and thanked Navis for keeping this show after everybody dropped off; he pointed out that this show was free but rent on the warehouse is not and proceeded to put some money in the donation jar. That decidedly pushed them over the edge into the "dope" category in my book. They covered a Story So Far song and Evan ran in to sing along with everybody but I wasn't familiar with it.
After everything was done we brought in the chairs and the smoking table from outside and locked up the warehouse. It was a pretty mild night with hardly even any of the normal Dial crew to chill with but it was better than sitting in my room by myself all night.

Monday, January 28, 2013

SHOW REVIEW: Tittyfucker/Beanvian Stalks Guava/Holy Spaceman @ The Dial, January 21 2013

This show was on a Monday, but it was Martin Luther King Day so most people had the day off from work. I didn't, but I had been sent me early because I hadn't gotten any leads by lunch. My job is very production-based so that happens from time to time; don't worry, kids, I got several leads the next day and as of the time of this writing my job's well and secure. I just thought I'd give you some background.
It was also my good friend Devin's 25th birthday and since I had the afternoon off I hit him up to chill. We cruised around smoking bowls and listening to techno, went to Rosa's Cantina for some quesadillas (that weren't very good if you ask me) and then didn't really have much else to do. We were already on Jefferson so Devin contemplated just going to The Dial early but it wasn't even 6pm yet. I imparted upon him how foolish such a decision would be so he dropped me off at home. The plan was for him to come back and get me around 7:45 but come 8:30 he was still lagging and I just wanted to mob out. The friends from Crisis Arm were cruising out for this show and they hadn't been able to make it out to the warehouse for several weeks; I just wanted to get there and big chill so I just had my brother drive me.
Troy pulled up in our Blood-red Cadillac and stopped suddenly near a circle of people to let me out; from the outside it probably looked like a drive-by was about to go down. The circle of people we were apparently about to ransack turned out to be the Crisis kids and the homies in Beanvian Stalks Guava so I got to catching up with them.
As luck would have it, the birthday boy Devin showed up like 5 minutes after I did so I went to greet him but the first band was about to start and he was finishing up his cigarette so I went inside after talking some friendly shit. He claims that he came in and stayed through the second band but I didn't see him after his arrival. Happy birthday bro.
The first band of the night was called Holy Spaceman. They've been posting classified-type posters at The Dial for several months now, looking for new members for their band and listing disparate yet obvious influences like David Bowie, Radiohead, and the Dead Kennedys. Also noted was their "420-friendly" nature so you already know these guys mean serious business. Upon finally seeing them in action I wouldn't really say they sound much like any of the bands they listed as influences, but more along the lines of early-2000s lite-emo-punk like "Identity Crisis"-era Thrice or AFI at their commercial peak. Semi-metallic riffage that still contains quasi-pop punk melodicism and sloppiness; alternative-rock type sung-not-screamed vocals that were neither terrible nor memorable; mid-paced drumming that again was capable but unexceptionable. This is exactly the type of band who would benefit from the addition of a bassist. They said that they had just written the final song of their set a few days prior and it was by far their best. It wasn't as distorted and although I can't remember many specifics I remember jamming to it pretty good.
It wasn't until after their set when I saw the drummer walking around that I realized I had played a show with these guys last March when my band The Gravitys played the 10-year anniversary of some skate park in Lake Elsinore. They were called The Filth then and played pretty much exactly how I just described this current incarnation. We were playing in a parking lot using a gas-powered generator; they elected to perform after our set and the gas was running low so the speakers and amps kept going out during their set. It was like the people who had put this whole event together didn't see this coming whatsoever: there was absolutely no backup plan. The Filth dudes were bummed but real good sports about it all; they later tried to get KP to come jam some bass with them but they live in Riverside but it just wasn't feasible.
Some kid did a backflip on his BMX while we played "Eustress" at that show and it was a glorious moment in my life. There ya go, show review inside a show review. META.
Back to the night at hand.
In between sets, Patrick Crisis wanted water but there wasn't any in the fridge so Cameron Crisis waterfalled some to him but it quickly became a spillage fiasco and proved to be a humorous incident.
Next band up was Beanvian Stalks Guava, a 3-piece band from Hemet that plays a version of rock music that's somewhat difficult to pin down (there are a few bands that meet that criteria these days...HEMET CRISIS ;D). The first time Bean asked me to describe them I said, "psychedelic death rock" although I'm not sure how accurate that is. They're very bass-heavy in a kind of Gang Of Four type way; semi-dancey in almost post-punk fashion while still retaining a level of Bauhaus/Horrors eeriness. Honestly their style comes off so naturally that I'd imagine they were never trying to really emulate any particular bands or genres; they play unique, distinct stuff and everything I listed above is just kind of what I'm distilling it down to from my point of view. I've seen them several times and almost every time I end up with one of their basslines stuck in my head for DAYS.
BSG is also a band with very little self-consciousness getting in the way of their dopeness. The first time I met Bean he was wearing an N Sync shirt like it was punk as shit, and in reality I guess it kind of is if you're gonna be so goddamned punk about it. The drummer Java regularly disrobes during sets and shows off his lovable fluffiness; he almost reminds me of the WWE superstar Rikishi. But even doper. Midway through their set he ran out from behind his set and gave everybody big sweaty hugs and at the end he pushed over his entire drumset to visible damage. Everybody was getting all sorts of loose and dancing around the warehouse for pretty much the entire set. It was fun.
My only complaint about BSG is that their sets are always long as fuck and I feel like I've heard the exact same songs at every show. I already have a preference for short songs that these guys defy, but especially when you know you can't stay late but you still want to see the touring band at the end of the show, a 45 minute set of songs you've already heard by a local band who plays all the time really starts to drag. Just saying.
The final band that I saw was called Tittyfucker and I didn't know anything about them beforehand except that they had posted something on their Facebook along the lines of "We're gonna be the first all-nude band to play at The Dial!" This turned out to be true. Tittyfucker is a 3-piece powerviolence band from San Diego who perform naked. If that's supposed to be their gimmick it's nothing new (anybody every heard of that other SD band who played nude, I think they were called Blink 182?) but considering they have 2 young females in the band I can understand why they're using it. Naked girls = people are gonna come. (Interpret that sentence however you would like.)
Musically, they weren't anything special in the world of powerviolence (admittedly a subsect of hardcore that I'm not too fond of in the first place) but they also weren't god awful. They had understandable parts and fluid transitions, and maybe it was all the nudity getting me amped but I was feeling it. Dial mainstay Kevin P (NOT Gravitys KP, the other Kevin P) decided to support the cause and get naked himself, circle-pitting with his dingaling out and basically out-punking everyone else in attendance. Although the whole thing was a bit gimmicky (which the Crisis/Bean cats certainly seemed turned off by), a little nakedness never hurt anybody and at least they weren't as stupid-sounding as many other fully-clothed powerviolence bands are.
Although Starvist, a badass modern hardcore band on tour from Salt Lake City, was playing next almost the entire crowd left after Tittyfucker. I already knew this was going to happen and I felt bad for these dudes because they were much further from home than anybody else there that night. It's gotta suck playing for no one in a town you've never been to and will probably never come back to. I'm guilty as anyone, however; I left in the Crisis van before they played. They posted a bunch of stuff on Facebook afterwards about how much fun they all had so at least they didn't hate their lives after everyone bailed on their set. I still feel bad about that tho.
I've been on a major Fleetwood Mac kick lately so after I got dropped off I listened to a live version of "You Make Loving Fun" on YouTube like 6 times before going to sleep.
Monday night shows are cool you should start cruising out.

Friday, January 18, 2013

CD REVIEW: "PooPoo Platter: 8 Laramie Bands Present A 12-Course Comp."

This is a compilation CD of way-underground/local bands from the early-2000s rock scene in Laramie, Wyoming. Back in high school I had a proclivity for randomly sending out letters to DIY labels that were reviewed in zines I liked, especially Slug and Lettuce. I'm guessing that's how I obtained this CD, through a random mailing almost a decade ago, because there is no contact information whatsoever on this CD. No email, no street address, no record label info, nothing but band names and song titles and some horribly pixelated printout pictures of what appears to be high schoolers sitting around a dinner table. I've been going through my old CDs and thought I'd give this a listen because I probably only listened to it that first day I got in the mail; I seemed to remember not really liking it, but that was a long time ago. My tastes have changed and expanded since then; maybe this time around I'd enjoy it more.

Those initial feelings were entirely correct. This CD sucks. All 8 bands have their members listed and it looks as though there's alot of crossover in between groups; they all play pretty similar metallic rock thats trying to be too instrumental without doing anything interesting whatsoever. I'm at a loss as to which bands to actually compare them to because they are so deep in the morass of mediocrity that the only bands I can think of are other go-nowhere local-status metallic-rock bands I've heard over the years. There's a definite Rage Against The Machine/Tool vibe going on in the guitars, and I mean that in the worst possible "Guerrilla Radio" type way possible. I can't tell if these guys are high school kids who have never heard anything remotely underground or if these are washed up thirtysomethings who have never heard anything remotely underground.
The band that's most represented here is called "Aggressive Behavior" and they have 3 songs of somewhat alright basic proto-core kinda in the vein of Defiant Trespass and other shitty hardcore punk bands from the early 2000s. They have a song called "Live Fast Skate Fast Die Fast" thats has funny barked vocals and is pretty okay. The other bands who have multiple songs are called "Mr. V", an instrumental band who sounds like "Lateralus"-era Tool without any vocals or direction with their riffs but arent as terrible as some of the others on here, and a band called "Gunk" who are like Mr. V but with a Darby Crash-style vocalist and shittier.
The best songs here are by a group called "Viking Chef March", who contribute an instrumental track somewhere in between "Artist in the Ambulance"-era Thrice and early Mars Volta, without coming anywhere near the dopeness of those groups; and the very last proper song on the CD (the ending is an unlisted video game type keyboard song) by a group called "Redbush." Their song is kinda like the heavier end of Soundgarden mixed with "Heart-Shaped Box" by Nirvana with almost Converge type screechy scream vocals. It's not GREAT but its way doper than any of the other songs on this CD.
Overall, this CD is DIY as fuck but it kinda sucks and isn't a great time to listen to. It's gratingly generic and embarassingly amateurish at the same time. I'm not quite certain how I got this CD but I hope I didnt pay for it.

Sunday, January 6, 2013

Playlist for December 2012

 This is the list of all the albums, EPs, demos, etc that I listened to in their entirety during the month of December 2012. At the end are my notes and a list of all the live performances I saw before the year ended.

12/1/12
Circle Jerks - “IV”
Crisis Arm - “Junk Drawer” EP

12/3/12
JFA - “Blatant Localism” EP
JFA - “Valley of the Yakes”
The Whyioughtas/Nothing Substantial - “So What?” split
Fissure - S/T EP
Creedence Clearwater Revival - “Greatest Hits”

12/4/12
MGMT - “Climbing to New Lows”
Tension - Demo 2011
Tension/xMayonnaiseTheBastardx - split
Aggro - “Jozercore”
The New Varsity - 4-song demo
Kid At Heart - 4-song demo

12/5/12
Government Issue - “Complete History Volume One”
Code Orange Kids - “Cycles” EP
Blink 182 - “Take Off Your Pants and Jacket”
The Gravitys - “Bring You Down”

12/6/12
Why We Fight HC - Summer 2012 demo
Disapproval - “EMYA” promo tape
Disapproval - 2011 demo
Government Issue - “Complete History Volume Two”

12/7/12
New Brigade - 2011 demo

12/8/12
D.O.A. - “13 Flavors of Doom”
D.O.A. - “Festival of Atheists”
Souvenirs - “Tired of Defending You” EP
Angry Samoans - “Inside My Brain”

12/9/12
7 Seconds - “Scream Real Loud”
Fear - “More Beer”
Social Distortion - “Mommy’s Little Monster”
EA80 - “Der Mord Fallt Aus” EP
AFI - “Sing the Sorrow”
Logan Greene Electric - S/T EP

12/10/12
Sleepwalkers - “Bury My Bones” EP
Rookie Town - “On Fallen Logs (I.D.P.)” EP
Wild Pack Of Canaries - “MMR Singles Series 1.3”
Gaza - “No Absolutes in Human Suffering”

12/11/12
New Found Glory - S/T
Bad Religion - “Stranger Than Fiction”
New Found Glory - “From the Screen to Your Stereo” EP

12/12/12
Bad Religion - “The Process of Belief”
Bad Religion - “The New America”
Void - “Condensed Flesh” EP
V/A - “Don’t Miss These Bands at Warped Tour 04” promo CD
Minor Threat - “First Demo Tape” EP

12/13/12
Articles Of Faith - “Core” compilation CD
Autococcoon - “Ponies Float”

12/17/12
51D - S/T tape
Whirr - “Part Time Punks session”

12/18/12
Whirr - “Distressor”
The Funky Jah Punkys - “Live at the Roundhouse”

12/19/12
The Meatmen - “Stud Powercock: Touch N Go Years 1981-1984”
Headwind - “Fall Back” EP
Plagues - “I: Age of Viral Origin”
Dr. Know - “The Best Of”

12/21/12
V/A - “Give’em All The Boot Vol.3” Hellcat Records sampler CD
Stresscase - “Cut Me Off” EP
Descendents - “I Don’t Wanna Grow Up”
Meat Puppets - “In a Car” EP
Urban Waste - S/T EP
The Effigies - “Remains Nonviewable”
Dillinger Four - “Versus God”

12/22/12
Apathean - “Aggregation” EP

12/24/12
The Mau-Maus - “Punk Singles Collection”
Billy Corgan - “TheFutureEmbrace”
Social Unrest - “Rat in a Maze” EP
The Exploited - “Punk’s Not Dead”
Verbal Abuse - “Just an American Band”
Cat Stevens - “Catch Bull At Four”
Notorious B.I.G. vs Dr. Dre - “Notorious 2001”
The Vindictives - “The Many Moods of the Vindictives”
The Distillers - “Coral Fang”

12/25/12
Funeral Oration - S/T
Nothing From Something - 5-song demo
Sick Of It All - “Call to Arms”
Elton John - “#1s”
Cannibal Corpse - “Vile”
Agonstic Front - “Something’s Gotta Give”
All Charges Dropped - “Dirt Girl” EP
Dead Soldiers - S/T
Kaaos - “Valtio Tuhoaa Ei Rakenna” EP
Tegan & Sara - “So Jealous”
The Chosen Few - “Do The Manic”
NOFX - “45 or 46 Songs That Weren’t Good Enough To Go On Our Other Records”
Everclear - “Sparkle and Fade”
30 Seconds To Mars - “A Beautiful Lie”
The Game - “L.A.X.”

12/26/12
E-Sod & Potlogic present “Last Words Of the Dying” mixtape
Raphael Saadiq - “Stone Rollin’”
Karp - S/T

12/27/12
You, Me, and Us - “Paperweights” EP
Rigor Mortis - S/T
Suicidal Tendencies - “Free Your Mind and Save My Mind”

12/28/12
Religious Girls - “Midnight Realms” EP
Religious Girls - “Open Your Heart to Fantasy” EP
The Shins - “Wincing the Night Away”

12/29/12
The Gravitys - “Bring You Down”

NOTES:
- The new Crisis Arm EP is awesome
- I forgot how badass Government Issue was
- That was legitimately the first time I had heard “Sing The Sorrow” and goddamn “Girl’s Not Grey” has been stuck in my head ever since...I see why it was a hit
- Also stuck in my head since the 9th: Logan Greene Electric...ironically the line thats in there on repeat is “You get get that guy off your mind; he’s wasting all your energy, wasting all your time” LOL
- “No Absolutes in Human Suffering” is definitely amongst the top 5 hardcore albums of 2012
- “The New America” is without a doubt the worst Bad Religion album
- I hadn’t heard the “Condensed Flesh” EP in like 8 years but that shit still rips so goddamn hard, I’m gonna go ahead and say it’s better than the split with The Faith
- The Funky Jah Punkys sound exactly like the name implies
- Dr. Know and Dillinger Four still just kick so much ass, I can’t believe I went so long without their stuff in my collection
- “TheFutureEmbrace” isn’t GREAT by any standards but I’d say it is somewhat unfairly maligned
- I have been trying to find that Vindictives CD for fucking YEARS, thanks to Mark Leisenring for letting me borrow his beloved CD case this month
- That NOFX CD really is as pointless as the name implies
- I don’t care what you think, I love Everclear
- It was about as difficult to find the tracklist for that E-Sod/Potlogic mixtape as any old school hardcore rarity I’ve ever looked up
- R.I.P. Mike Scaccia

I also saw Crisis Arm (twice),The Coltranes, Stresscase, Full Of Hell, Code Orange Kids, Gaza, Why We Fight HC, Reflect (first show!), Souvenirs, Silver Snakes, Limerent Dance Machine (twice), Aaron Tanner (puppet show), The Gift Machine, Autococoon, Beanvian Stalks Guava, north Americans, Kids., and You, Me and Us perform live.