Wednesday, April 27, 2011

SHOW REVIEW: Blue Scholars @ UC Irvine Aldrich Park, April 8 2011

I was beyond stoked when I heard the announcement that underground hip-hop duo Blue Scholars was gonna be playing a free set at UC Irvine; I had only recently learned about them within the 2 or 3 months before the show but they quickly became constant listening. I thoroughly enjoy hip hop music but it’s rare that I become as enthusiastic about a new hip hop artist as I did after listening to their album “Bayani,” and my friend Mark who introduced me to them is even more enamored. So it was a no-brainer that we would shoot up to Irvine this Friday night to check out their performance.

The show was held in UCI’s Aldrich Park on an outdoor stage as the final performance of a weeklong “Spirit Week” that had consisted mainly of student club performances. My friends and I arrived on campus around 4:30 and spent about an hour at the campus pub before heading out to the park to see what was going on. The layout was similar to the main area of UCI’s annual Wayzgoose festival, with club booths and vendor trucks lining the walkway of the top interior flat lawn of the park near the Natural Sciences and Engineering buildings.

The first thing I noticed was that there was absolutely no one at the area in front of the stage where the crowd should be. At once this made me excited that we would be close up and get an intimate performance; but as a former intern for the ASUCI concerts commission that would have been involved in organizing and promoting an event such as this, the sight of the empty crowd was also a bit disappointing. We found a guy from Hip Hop Congress and asked when Blue Scholars would be performing and I could tell that he was glad somebody had come out for the show but also that he was upset at the lack of campus enthusiasm for such a dope show. He explained to us that the Spirit Week had been chiefly organized by the Pre-Pharmacy Student Group or something like that and they had focused more on school spirit type stuff instead of promoting the headlining performance.

There was still a little over an hour before the performance was set to start so we walked around parts of the Computer Science and Engineering areas drinking down some vodka and blazing some bowls before noticing that small clusters of a crowd were beginning to form near the stage. We watched part of a dance crew, I think it was B-Boys Anonymous, that honestly were pretty sloppy with their breaking, before the main event took place.



As soon as the duo took the stage you could feel excitement in the still rather small crowd of your typical UCI Asians and fratboys. MC Geologic came out wearing like a ley or something around his neck indicative of his super laid back style, calmly confident and effortlessly smooth. His delivery was pretty damn near what it sounds like on record, which is cool because I have seen a number of cool MCs (like Lupe Fiasco a couple years ago again here at UCI) who sounded like completely different people when they performed live.

DJ Sabzi likewise held a confident swagger throughout the performance, sporting an almost preppy. Although there were turntables set up, he never really got into the 1-2’s; to my recollection I don’t remember seeing him use any vinyl at all, let alone lay down some scratches. He mainly stuck to invisible laptop work, which usually really bugs me and was a bit of a let-down, but his beats and live edits were so crucial that it didn’t get on my nerves too much. He mainly hung out in the background contributing back-up vocals to some of Geologic’s lines, but there were a few awesome moments where he laid down full-on verses of his own.



 
One of the first couple songs they played was “50 Thousand Deep,” which really blew the lid off early on for me. The song, which is about the 1999 anti-World Trade Organization protests in Seattle, is one of my all-time favorite hip hop tracks and has been on replay a lot lately during car trips with the homies because of its addictively smooth and catchy music and its deeply political lyrics that reach the kind of articulation and analysis that most MCs literally cannot comprehend. All day we had been speculating and hoping they would play this particular track, knowing that even if they didn’t it would be nothing but dopeness all the way through, but still wanting this one.

From there it was all gravy, and really good gravy at that. Geologic asked the crowd “Is it cool if we play some stuff from our first album?” which of course got a great reaction because for the next several tracks it was the songs we were all super familiar with and excited to see performed live. Amongst those was another favorite of mine “Still Got Love” and it’s classic line “not everybody lives, but everybody dies.” The crowd was bumping and the stage was electric, with both performers moving around with the cool conviction they’ve got down to a T.

Something I thought kind-of cheapened the performance was when partway through the student organizers of the event brought out a big box of lame Spirit Week T-shirts and wanted Geologic to help throwing them out. He obliged without any obvious sign of thinking this was lame, but I’m sure he thought that was lame. I mean, just let them play, your event is at an end no need to keep promoting it. That’s something I never completely understood about the way ASUCI planned events; it’s like they never get big announcements of artists and headliners etc out until right before the event, and then they don’t have any legit promotional material like shirts and stuff until the day of. I don’t know, it wasn’t that much of a hitch in the performance but still I thought it a bit unnecessary to barge in on their set like that.

Really the defining element of the performance came when it started raining. It had been sprinkling intermittently on our drive up to Orange County earlier in the day but by around 7 it seemed to have cleared up. Small drizzles began early in the performance but weren’t anything of a nuisance until a little bit past the halfway point when the rain really started picking up and started affecting the equipment onstage. At first Sabzi just put one of the promotional T-shirts over his laptop to cover it from the wet but it started really showering and the backstage people had to bring out tarps to cover up all the Dj equipment and speakers. Geologic joked that they’re from Seattle where it rains all the time and they came to Southern California expecting some nice beach weather but instead they brought Seattle with them!


Even when it started fucking hailing, however, the two performers went on like troopers, never missing a beat or appearing the least bit phased by the torrents that were coming down on us all. Likewise, pretty much the entire crowd that had been there from the start remained, waving our arms in approval and getting all buck nasty in the rain. Before both of their last 2 songs Geologic noted that the fire department is telling them to shut it down, but they’re gonna keep it going. From the way it was pouring I totally believe there was a legitimate risk for electrocution going on but they kept on going for us and I’m glad they did.

Although we all left soaking messes, I can honestly say that was the best hip-hop performance I’ve ever been a part of. From the intimate feeling of the crowd size to the awesome delivery of top-notch music to the unforgettable experience of a kick-ass storm party, this was really one for the books. It’s a shame the people involved in promotion didn’t get the word out to the UCI community better because a group as good as the Blue Scholars deserve more appreciation. They know that the heads who stayed through the hail got love, though.

“Not everybody lives, but everybody dies.”

Monday, April 18, 2011

ALBUM REVIEW: Reflex From Pain - "Black and White" EP

Although it’s not exactly the case that I didn’t do anything the week of March 26-April 1, the main thing I was gonna review (my friend Nicki’s birthday party where Irie Society and Indica Roots performed), my memory of that event is so hazy that it just wouldn’t be worth it. So instead I’m taking the route once again of reviewing a musical release from the past. This time it’s the “Black and White” EP by late 80s hardcore band Reflex From Pain, released in 1991.
Reflex From Pain was a Connecticut hardcore band from the late 80s that played at the same time as the pre-Youth Of Today band Violent Children. From the first song on the EP, however, you would think they were from Southern California because “Media Control” and “Urban Decay” both sound just like simplistic versions of Agent Orange or The Adolescent’s style, the former with a Nardcore-type guitar solo over it. A lot of the songs on this EP are so short as to easily not be taken notice of, but they aren’t shitty songs just kind of non-descript by 80s hardcore standards. “Rednecks,” for example has a chanty fast part that sounds very similar to Agression’s “No Mercy” followed by a mid-tempo punk part ended by the beginning fast part that all just sounds extremely familiar. “Hangover” has a chorus that sounds like something the 90s California punk band Smut Peddlers would play, and the fast part from “The Scream” (which falls into a really generic mid-tempo part again) sounds like something Das Klown would do. It’s hard to believe they’re from the East Coast because they just sound like an Orange County band or a Long Beach band or a Nardcore band without really sounding much like the scenes they were closer to geographically like the DC or Boston straight edge sounds or even the Midwestern hardcore sound of the time.
The production on the album is a bit odd for the style of music they’re playing; the guitars almost sound like distorted Bauhaus guitars, like there’s a chorus effect on it or it’s being played in a big room with lots of echo or something. The vocalist has a rather tame voice, again somewhat akin to the vocalist from Agression’s vocalist but without that guy’s tendency for WTF-inspiring screeches; instead this Reflex From Pain guy ends up like the guy from Agent Orange trying to be tough. The slowest song on the album, “American Express,” finds him putting on almost a faux-British accent with the result sounding a bit like Yuppicide. The final song, called “Dino,” is a send-up lounge/swing type song with a high-pitched effect put on the vocals somewhat like the effect put on the vocals for Void’s song “Organized Sports.”
On the whole, despite this release’s generic stylings, if you like US82 type hardcore, especially the West Coast more bands, this is a cool listen. Apparently the musical section of this band went on to join the bands 76% Uncertain (who I forgot about!) and the seminal 90’s Krishna-core band Shelter. I did not know that. I can hear it in Uncertain’s sound, which is pretty rock-ish in the same vein as Gang Green and have cool solos like Agression; but the Shelter revelation is a surprise.

Monday, April 11, 2011

SHOW REVIEW: Dom/Heavy Hawaii/Trudgers @ UCI Cross Cultural Center White Room, March 24 2011

Unfortunately I am writing this review like 17 days after the fact so my memory is less connected than one would hope. Compounding this is the fact that I had never heard any of the performers from this show before or since that night before writing this so my descriptions of their respective sounds is a bit shallow. That said, it was a real good night and I really enjoyed all 3 of the bands. This is, however, a really poorly-written review.
I went up to this show, put on by the homies at Acrobatics Everyday, with my good friends Mark Sarah Jason and Kevin from Temecula. We listened to Death By Stereo and Fifteen on the way up, me and Mark reminiscing about the good old days of 7th and 8th grade. Upon getting to Irvine, we stopped by the Albertsons near UCI to get cold beers for in between bands and Jason bought a package of Keibler elves cookie sandwiches that he proceeded to kill pretty much by himself as the night went on. We got a good legal parking spot off Stanford and walked onto campus from the crossing light next to Jack In The Box.
This was the first time any of them besides Jason had ever been on a university campus and I wanted to make UCI seem dope so as we were walking past various buildings I would talk about what they were and key experiences of mine in them. All dorky like. I led them past the social science trailers where Acrobatics used to have a lot of their shows and into the park where we walked towards the Cross Cultural Center to pay and see how far in the show was. When we arrived I paid and asked who was playing; it turned out to be Support Force, from Portland, whose demo I got from the singer guy afterwards was pretty good but at the time sounded a tad noisy and we all wanted to drink our beers so we walked back into the park to drink instead of watching that first set.
We meandered around Aldrich Park for maybe half an hour drinking our beers and everyone else but me finished everything they had bought. So for the rest of the night when I had another beer to crack open in between sets Mark would pester me to give him one, although I had planned out exactly how man y would be good for just me and he could have easily done the same. I eventually gave him one but come on bro plan ahead.
We went in for the second band, who happens to be from my hometown of Murrieta (I claim Murrieta and Temecula both as hometown because come on its all one borg). They’re called Trudgers, and I had missed them perform one time before at this venue with Little Teeth, the first time that Jason came to an Acrobatics Everyday show with me. I was excited to hear what they were gonna sound like because I really didn’t know what kind of music they played, although I wasn’t miles off in my expectation.  The best way I would somewhat ambiguously describe them is tense yet airy; the music is strikingly emotional and somewhere dark yet pretty and it all has a very full sound. Something that I appreciate is that they have cool guitars; the singer Brent is more of an anchor and plays a lot of full chords as opposed to the pluckery many indie rock guitarists become slave to, while the other guitarist does a lot of more atmospheric feedback/noise/harmonics type stuff that layers for a very shadowy sound. I thoroughly enjoyed listening to them throughout their set, they were my favorite band of the night and they appeared to have a good deal on their merch ($20 for 5 releases I think) but I didn’t have any money left after Albertson’s.
In between bands we hung out on a cafeteria-style table, the kind that have all the holes in the plastic that kids would tie other kids’s backpack straps into during lunchtime (Mark fondly recalled), and talked about music and stuff. Going to the bathroom right after Trudgers ended I ran into a girl who recognized me but for the damn life of me I can’t really remember. But she says she was an ex-girlfriend of another friend of mine and when I asked my friends upon returning to our table they seemed to remember. It was a bit odd and I felt bad that I for real didn’t remember and she could tell even as I tried to act like my memory was maybe coming back. Not so good.
The second band to perform was called Heavy Hawaii and I guess they’re from San Diego. They were alright but I just feel like I’ve seen their thing too many times before. They play like open, pretty kind of predictable indie rock with a lot of reverb on everything it seems, and the stuff is upbeat and cool and everything I just don’t know what it was that didn’t catch me. For one thing they had the kind of singer who is this skinny guy who’s acting self-consciously jumpy and stoked like Michael Stipe trying to be Andrew WK. His vocals were so covered in unnecessary reverb and noisy echo that I couldn’t tell if his lyrics sucked or if he couldn’t sing or what but it just wasn’t my thing. Totally post-Wavves. That all being said, I didn’t completely dislike them and I think both Mark and Sarah said that they were their favorite band of the evening. So there you go.
The final band we saw that night was called Dom, and they were on tour from Massachusetts. They played a well-honed type of garage rock with a good steady energy and well-lengthed songs, which is always important to me. Unfortunately, like I said I can’t exactly remember too much about them besides the fact that I enjoyed them a lot. The song that particularly stuck out was called “Damn,” which I found out by asking the bassist and he told me it was as then unreleased. But more than their originals were their covers. I heard them discussing what song to do next and I think the drummer said “Polaris” which struck my interest. The singer then said that they were gonna do one from their childhood and I knew I was in for gold. For those who don’t know, Polaris is the name of the band that did the soundtrack for the 90s kids show “The Adventures of Pete and Pete” which will always be one of the best shows for me. Dom busted into the show’s theme song, called “Hey Sandy” and I immediately lost my shit. I jumped merrily in the front of the crowd just fuckin rocking out and I could see there was a little tiny push-pit behind me as well. Cool stuff. You wouldn’t think a cover of “Hey Sandy” could be topped, and I think it was more matched than topped really, but the ending cover was just a really nice cherry on the top of the show. They covered fucking “Little Red Corvette.” They really got their groove on for this one and the singer’s voice actually was somewhat well suited for the high-pitched nature of the song without being disgraceful. I got really stoked on this one too and it closed out the night real nice.
There was another band called Religious Girls that was going to perform another set at a different location on campus, but it was already late enough that we kind of wanted to get on the road back to Temecula plus they said there would be like a 40 minute wait, so I said goodbye to the Acrobatics kids and we were off.

Tuesday, April 5, 2011

Playlist for March 2011

This is the list of full-length albums, EPs, demos, etc that I listened to during this past month of March 2011. I must make the preliminary note that this month’s playlist was dominated by artists that will be performing at this year’s Bonnaroo Festival, as I have been getting myself accustomed to as much of their respective discographys before June. That explains a lot of the choices that may appear out of character with my usual musical inclinations.

3/1/11
The Arcade Fire – “Neon Bible”
Cold War Kids – “The Mulberry Street” EP
Widespread Panic – S/T
Kylesa – S/T
Portugal. The Man – “The Satanic Satanist”
Matt & Kim – “Grand”
The Arcade Fire – “The Suburbs”
Smith Westerns – “Dye It Blonde”
Lil Wayne – “Rebirth”

3/2/11
DeVotchKa – “How It Ends”
The Low Anthem – “Oh My Goodness, Charlie Darwin”
Bela Fleck & The Flecktones – “The Hidden Land”
Wanda Jackson – “Queen of Rockabilly: 1956-1963”
Wiz Khalifa – “Kush & Orange Juice”
Ground Up – demo
The Gravitys – demo

3/3/11
The Arcade Fire – S/T EP
Pretty Lights – “Spilling Over All the Edges” EP
The Black Angels – “Directions to See a Ghost”
(most of) Rage Against The Machine – “The Battle of Los Angeles”
Bootsy Collins – “Back in the Day: The Best Of”

3/4/11
The Gravitys – demo
Junip – “Black Refuge” EP
The Drums – S/T
The Gravitys – demo

3/5/11
Mouthful Of Snow – “The Truth Hurts, But You Would Still Like to Hear It”
Scissor Sisters – “Tah-Dah!”
!!! – “Take Ecstasy With Me/Get Up” single
Grace Potter & The Nocturnals – S/T
Terrible Things – S/T
The Decemberists – “The Hazards of Love”
Gogol Bordello – “East Infection” EP
Unwritten Law – S/T
Atmosphere – “Seven’s Travels”

3/6/11
Ground Up – demo
BassNectar – “Timestretch”

3/7/11
(most of) Opeth – “Blackwater Park”
Boysetsfire – “After the Eulogy”
Ratatat – “LP4”
22-20s – “Shake/Shiver/Moan”

3/8/11
The Sword – “Warp Riders”
Deerhunter – “Turn It Up, Faggot”
Gogol Bordello – “Trans-Continental Hustle”
STS9 – “Peaceblaster”
Neon Trees – “Habits”
Dance Gavin Dance – “Whatever I Say Is Royal Ocean” EP
Sleigh Bells – “Treats”
Larry & His Flask – S/T EP

3/9/11
Band Of Skulls – “Baby Darling Doll Face Honey”
Beats Antique – “Tribal Derivations”

3/10/11
Abandon All Ships – S/T EP
Phosphorescent – “Aw Come Aw Wry”
The Gravitys – demo
The Decemberists – “The Crane Wife”

3/11/11
Enter Shikari – “Take to the Skies”
!!! – “Louden Up Now”
MC Lars – “The Laptop” EP
Ratatat – S/T
A Skylit Drive – “Wires…And the Concept of Dying”
Lucero – S/T
Gojira – “From Mars to Sirius”

3/12/11
The Walkmen – “Bows & Arrows”
Pretty Lights – “Making Up a Changing Mind”

3/13/11
Cephalic Carnage – “Exploiting Dysfunction”
Explosions In The Sky – “Those Who Tell The Truth Shall Live, Those Who Tell The Truth Shall Die”
Foxy Shazam – “Introducing…”
22-20s – S/T
Freelance Whales – “Weathervanes”
Larry & His Flask – “Loud & Crowded” EP

3/14/11
(most of) Smashing Pumpkins – “Pisces Iscariot”
Smashing Pumpkins – “Mellon Collie and the Infinite Sadness”
Deer Tick – “Born on Flag Day”

3/15/11
Lil Wayne – “Tha Carter III”
The Aggrolites – “Dirty Reggae”
Eminem – “The Slim Shady” EP
Portugal. The Man – “Devil Say I, I Say Air” EP
Deerhunter – “Cryptograms”

3/16/11
Junip – “Fields” Disc 3
The Black Lips – “200 Thousand Million”
Chiddy Bang – “The Preview” EP
My Morning Jacket – “Chocolate & Ice” EP
Kikeiji – “Plastic Scandal”
(most of) Dr. John & The Meters – “Destively Bonnaroo”
Confuse – “Spending Loud Night”

3/17/11
Beirut – “Realpeople Holland” EP
Phosphorescent – “The Weight of Flight” EP
We Came As Romans – “Dreams”
(most of) Dropkick Murphys – “Sing Loud, Sing Proud”

3/18/11
Abandon All Ships – “Geeving”
The Gravitys – demo

3/19/11
Hellogoodbye – S/T EP
Twin Shadow – “Forget”

3/20/11
The Sword – “Gods of the Earth”
Confuse – “Stupid Life” EP
(most of) Rudimentary Peni – “Death Church”

3/21/11
Railroad Earth – “Amen Corner”
Kylesa – “Static Tensions”
Alberta Cross – “Broken Side of Time”

3/22/11
Big Boi – “Sir Lucious Leftfoot: The Son of Chico Dusty”
Dance Gavin Dance – “Downtown Battle Mountain”
Atmosphere – “You Can’t Imagine the Fun We’re Having”
Calexico with Iron & Wine – “In the Reins” EP
My Morning Jacket – “Sweatbees”
String Cheese Incident – “One Step Closer”
(most of) Scissor Sisters – “Night Work”
Gogol Bordello – “Multi-Kontra Culti vs. Irony”

3/23/11
Chiddy Bang – “The Swelly Express”
The Wonder Years – “The Upsides”
Foxy Shazam – “The Flamingo Trigger”
Larry & His Flask – “Gutted”
Portugal. The Man – “American Ghetto”

3/24/11
Deer Tick – “War Elephant”
DeVotchKa – “A Mad & Faithful Telling”
(most of) Death By Stereo – “Day of the Death”
3/25/11
Red House Painters – “Songs for a Blue Guitar”

3/26/11
The Acacia Strain – “Wormwood”
Miss May I – “Vows for a Massacre” EP
Support Force – 3-song demo CD
Beirut – “March of the Zapotec” EP
Beirut – “Realpeople Holland” EP

3/27/11
Grace Potter & The Nocturnals – “This is Somewhere”
Naked Aggression – “Gut Wringing Machine”
DeVotchKa – “Curse Your Little Heart” EP
My Morning Jacket – “At Dawn”

3/28/11
Gregg Allman – “20th Century Masters: The Millennium Collection”
Wiz Khalifa – “Deal or No Deal”
Girl Talk – “All Day”

3/29/11
Widespread Panic – “Earth to America”
Beirut – “The Flying Club Cup”
Matt & Kim – S/T
Iron & Wine – “Woman King” EP
Ramones – S/T

3/30/11
Red House Painters – “Songs for a Blue Guitar”
The Gravitys – demo

3/31/11
Red House Painters – “Songs for a Blue Guitar”


NOTES
- The Arcade Fire really is that damn good
- Fuck yeah on Kylesa, I don’t know why I didn’t get into them earlier
- DeVotchKa blows my fuckin mind; as does STS9
- I love you Wanda Jackson
- We all had a good time listening to Pretty Lights
- Scissor Sisters are just not my thing. Nor are Grace Potter & The Nocturnals. Neither is Eminem.
- Gogol Bordello is cool and everything but they can get kinda annoying too; same thing goes for Foxy Shazam
- Larry & His Flask holds it down
- “Warp Rider” by The Sword was probably the best metal album of 2010
- Yeah I’m on the Dance Gavin Dance bandwagon too
- I can’t believe Sleigh Bells has the guitarist from when Poison The Well was badass, small world…
- Phosphorescent is like the most boring band I’ve ever fucking heard
- I know, I know, I listen to my own damn demos way too much
- MC Lars fucking sucks
- “Mellon Collie and the Infinite Sadness” has been like my favorite album since I think 2nd or 3rd grade
- I really like Deer Tick. Twin Shadow too. I like Junip even more.
- “Spending Loud Night” is the worst EP by Confuse; “Contempt for Authority and Take Off the Lie” the best
- I can’t believe what happened in Japan.
- Calexico + Iron & Wine = gold.
- I feel the same way about both Wiz Khalifa and Chiddy Bang: Whatever.
- Of the various Portugal. The Man albums and EPs I listened to this month, “American Ghetto” was the best
- I really deepened my obsession with “Songs for a Blue Guitar” towards the end of the month here
- Wow, Acacia Strain, at this point I think you’re actively trying to be boring
- Girl Talk: mixing Fugazi with Rihanna is at once offensively blasphemous and hilariously dope. Kudos.

I also saw Real Diamond, Calling Home, The Wicked Willows, Reel Big Fish, Trudgers, Heavy Hawaii, and Dom perform live.